Category: Tynan

June 28, 2021

Retreat week

Supplies for being on retreat. — Retreat supplies: journal; pen; colored pencils; *String Felt Thread* by Elissa Auther; watercolor brush pens; iced tea; and great weather.

I’m officially on retreat.

As mentioned last week, my workshop up north at Ghost Ranch was postponed which was a pretty big bummer for me. But then I realized I had a whole week of days I’d kept unscheduled, thinking I’d be away. What to do with that time??? Given how distracted I’ve found myself these last few months (okay, really the last year+), I find that I need to step back and redefine what it is I want and need out of life. Sure, I’m hooking and teaching, but my attention has…wandered. My daily routine isn’t working, and productivity has been affected.

It’s not at all helped by so many local, national, and even global crises. The collapsed Maimi condo, race and gender issues, folks refusing to get vaccinated thereby prolonging the whole Covid thing, some family health difficulties, climate change which really hits home here in the desert Southwest… I seem to be catching my kid’s anxieties. That we spent over a week with temps in the 100s certainly didn’t enhance my mood. But you – I – can’t live like that, in dread all the time.

Last week after deciding on a couple of new projects – not hooking!!! – I grabbed my coupons and started out for Jo-Ann Fabrics to get supplies. It occurred again to me that it’s summer. A time for lighter things, as I also said last week. But this time I really heard myself. Remember how we used to feel in summer? Even when bad things were happening around the world? (The reality is that good and bad things are always happening.) I put some Jimmy Buffett on the Fit’s stereo and off we went.

Hooked rug — ABUNDANCE (15″ x 48″) is finished! As part of my retreat efforts to shake things up, I sewed yesterday morning rather than during the evening, my usual MO. She’s the newest in 2021’s #happyrugseries and was hooked with all kinds of fibers. And, yes, those are holes in her. Life takes from us, but we still have so much to share.

Friday evening Tom and I had a lovely time sipping wine at a local winery, Casa Rodeña here in Albuquerque. They have a pond. It was cool and calming. I realized that I could take the next week to change up my routine, get some things done that I’ve been planning but been too paralyzed to do. In short, get myself out of this funk.

I started yesterday by learning a new “trick.” Okay, a new fiber art medium. I’m very excited and will share down the road. I even used YouTube to learn how to do it. Generally, I prefer to learn in person, not via a video. Again, it’s about getting out of the comfort zone, something I used to do without thinking too much about it.

An article about the Ribbon Rug Journal is on the retreat’s to-do list. Planning my next rug for when I’ll be on the road in a couple of weeks. More sketching and journaling. Reading for pleasure and “work.” Getting back to morning yoga for my arthritis. Not on the list: vacuuming, cleaning the kitchen, meetings, a lot of social media, worrying…

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But life does still go on. To that effect – note that In the Studio’s Workshop Week 3 classes are filling. Sure, it’s not till October, and we have more events and teachers than ever, but folks want in. Also, my own workshop, Hooking with T-Shirts, on October 30, had enough interest that I opened a second session for Saturday, October 23, also at 1:00 PM Eastern. Email me if you’re interested.

Dogs, hooked rug — Both boys bring you WHAT’S ON THE FRAME today. No title for it yet, but it’s the #ecohooking rug in recycled plastic bags. I should’ve added Static Guard to my list of retreat supplies!

Is it just me or do I sense many stepping back a bit to reevaluate as we move back into a post-pandemic world?

June 22, 2021

The work of summer

Summer arrived just this week along with the kind of “work” that seems tailor made for her. Ah, but what is the work of summer?

By rights – thinking back to when we were kids having escaped school for two months – there should be less work in summer. For High on Hooking, that will indeed be the case in some respect. Unfortunately, Ghost Ranch (see this post) postponed our workshop there till the spring. Boo to you, Covid! I was really looking forward to it, but there is a silver lining. It’s been SIZZLING here in New Mexico for a few weeks. Last week we hit 108 degrees here on the West Side of Albuquerque! Hiking will be better in the spring. I’ll post more information as we get closer to the workshop. In the meantime, think of how fabulous it will be to do fiber art in Georgia O’Keeffe‘s special milieu, her querencia.

querencia

The place where one’s strength is drawn from; where one feels at home; the place where you are your most authentic self.

There have been a few places in my life when I’ve felt what the Spanish call querencia. In fact, it’s why I wanted to move to the Southwest. It’s definitely something I understand about O’Keeffe.

Given the change of plans, I find that I have more time on my hands to do my own work. Frankly, this calls for some serious rejoicing as this year I’ve been working A LOT on things that I’ve HAD TO DO. I haven’t even put many new items into the Etsy shop! Sure, I chose to teach and to make the New Mexico cushion for the USA50 project. The latter took longer than anticipated, working with all wool yarn. Beautiful, but itchy wool yarn after a while. Friend Ruth has the piece at the moment as she’s converting it from the hooking to the actual cushion. Pics in the next post; I promise. It’s beautiful, and even better, it has a good story.

To me the work of summer is “lighter” than that that I think to do come October and as winter starts to blow in. Fortunately, that coincides well with the “happy rug series” (#happyrugseries) I informally started earlier in the year to combat the “heaviness” of Covid and the entire year of 2020. Sadly, between gun violence and the continued stupidity of US politics, 2021 hasn’t been much happier. BUT, given our vaccination rates here in New Mexico, life is looking much more “normal” than it did a year ago. WOOHOO!

Current projects…

Hooked rug, work of summer — ABUNDANCE, part of the #happyrugseries.

Still finishing up ABUNDANCE, the latest and largest so far in the #happyrugseries. I’ve hit a little snag, as she’s hooked with all kinds of fibers that aren’t the easiest to put a needle and thread into. Worse, there are holes built into her, so a lot of perimeter work to do. Worst, Bowyn was going crazy for rabbit scents on a walk last night so I let him run in the park. Unfortunately, my right ring finger got caught in the leash as he took off. Ouch! I won’t be wearing any rings on that finger for awhile. Fortunately, if I take the little brace off, I can still hook.

Friday, as soon as I finished hooking the NM cushion, I drew up a small, geomtric-ish pattern so that I’d have something to work on that evening while Tom ran a summertime, “Arnold” action movie for us to watch on the TV. Given all the environmental issues we’re facing these days – drought, climate change, wildfires, plastic in the ocean – I decided to hook the piece with old plastic bags. Having already hooked a larger such piece, I’d kept the most colorful bags I had. Despite the heavy environmental theme, I’m hoping the piece will still make me – and others – smile. And just maybe curb our use of plastic bags some.

I’m also getting ready to tackle some new-to-me techniques, that is, NOT rug hooking! I’ll let you know how that goes, but right now I aim to explore a bit on my own. Then there’s an article or two that need writing. While the work might be lighter in summer, there’s no lack of it!

July also brings a road trip back East. Various folks were supposed to come visit here last fall, but…you guessed it…stupid Covid. So, having not seen family in a couple of years, it’s time. Bring on the seafood! This time around, Bowyn will man the Instagram account. Tynan, 13, will stay home and keep the hearth fires warm.

Hooked rug and Bowyn a Welsh Springer spaniel — Tynan let Bowyn handle WHAT’S ON THE FRAME today. (Nonetheless, he demanded a treat as a finder’s fee.) No name yet, but it’s being hooked with plastic bags that WILL NEVER SEE THE OCEAN!

What’s your work this summer? Perhaps it’s to concentrate on family and friends, the return to life with others? YES! Enjoy.

April 30, 2021

We’re going to shows – in-person!

In-person events. Can you imagine it after over a year of hiding out from each other? But it’s starting to happen!

High on Hooking and friend Catherine Kelly will be vending our first in-person show since November of 2019! We’ll be at the SPRING & FIBER FESTIVAL at EL RANCHO DE LAS GOLONDRINAS June 5/6. It’s an outdoor venue, so if you’re vaccinated, you probably won’t even need a mask! If you’re in the area then, please stop by to chat and fondle the rugs. Mention this blog post and get a 5% discount on anything you purchase from High on Hooking. (See our other events in the Calendar.)

Spring’s just busting out all over! It’s been a big week here in the HoH house. We entered the modern age when we traded our 2003 Honda Accord in for a much newer “old” car, a 2019 CR-V. All those freaking electronics! Fortunately, I still have my little Fit to tool about town in and keep my gas usage and emissions to a minimum.

Wednesday, Cathy (above) and I took the new vehicle for a spin up to Santa Fe’s Museum of International Folk Art. Other than the need for a mask, it was like pre-Covid times! An in-person museum visit! I was so excited early last year when the museum announced that they’d be having an exhibit of the Afghan War Rugs from summer through the fall. And then the Coronacootie struck! No fears – they were able to extend the exhibit through September of this year. Since I had my second Moderna vaccine last week, it was finally time. And the carpets did not disappoint. Unfortunately, I couldn’t take any pics, so I stole the one below from the museum’s website.

Photograph of Afghan War Rug; we were able to go to the museum in person. — Photograph from Museum of International Folk Art

For those who aren’t familiar with the Afghan War Rugs, at first glance some of them look like typical, traditional rugs woven in Afghan and other areas of the Middle East, but when you take a second look, you realize that the Cypress tree motif is a…missile. A “boteh” (paisley) is really a helicopter. Look a little harder and you’ll find pistols, machine guns and grenades. In some of the rugs, though, the artisans went full on war-rug. You can’t miss the tanks.

Afghanistan is known for its rugs, though many of these rugs were created by Afghan refugees in Pakistan and Iran after Russia and then the US waged war in the country. They offer, certainly, an artistic commentary on what’s happened in (primarily) the last 40 or so years. (Russia invaded in 1979.) But they also demonstrate a commercial response to war in Afghanistan and the effect on its people. The carpets have proven popular with journalists, military personnel, foreign aid workers, and such.

The emergence of war-related imagery in Afghan rug design has clearly aided the economic survival of area weavers and displaced craftspeople through years of armed conflict and cultural disruption. What war rugs mean to individual weavers is less understood. Are war rugs a celebration of modernity or a rejection of war? Are they a witness to shared trauma or a commercialization of violence? Are they testaments to ingenuity and a spirit of survival? Perhaps they are all of these things at once.
(Museum of International Folk Art)

Over 40 rugs hang in the exhibit. Some look brand new; others have clearly been used as…rugs. All are fascinating to view. And, of course, being textiles, we desperately wanted to touch them. To turn them over and examine them. Yeah, that would’ve gotten us booted out. Unfortunately, too, there’s no real info about individual rugs or artists. Though this isn’t surprising.

If you ever get a chance to see this exhibit, make sure that you do. If you’d like to read more about the War Rugs, there’s a great article here. The Museum of International Folk Art has a virtual exhibit available here.

Dogs on hooked rug — This is what happens when you try to take the WHAT’S ON THE FRAME pic too close to the boys’ dinner hour. Just getting them both in the frame was tough enough, then they kept looking over their shoulders as if Daddy was about to make and eat their meals. Still working on the newest in the happy rug series. Her name will be “Abundance.”

What events are you excited to get back to in-person this year?

April 19, 2021

“Automatic” hooking

Example of automatic drawing. — Example of automatic drawing done by moi during Sketchbook Revival.

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking — Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking — Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

March 16, 2021

Of sketching and day-hooking

Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BI Ad for Sketchbook Revival 2021; sketching G THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.

Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.

Sketching — A one-line, mirror sketching from 2019. Sadly, a self-portrait.

But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revival presented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:

Some sketches are colorful. A “creature” rug perhaps?

“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”

As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.

Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild , AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL

While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.

Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

Dogs with hooked rug — “What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.

Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!

What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?

Workshop reminder: Hooking With and Beyond the Wool happens this Saturday. Contact me if you’re interested.