Tag: contemporary fiber arts

June 28, 2021

Retreat week

Supplies for being on retreat. — Retreat supplies: journal; pen; colored pencils; *String Felt Thread* by Elissa Auther; watercolor brush pens; iced tea; and great weather.

I’m officially on retreat.

As mentioned last week, my workshop up north at Ghost Ranch was postponed which was a pretty big bummer for me. But then I realized I had a whole week of days I’d kept unscheduled, thinking I’d be away. What to do with that time??? Given how distracted I’ve found myself these last few months (okay, really the last year+), I find that I need to step back and redefine what it is I want and need out of life. Sure, I’m hooking and teaching, but my attention has…wandered. My daily routine isn’t working, and productivity has been affected.

It’s not at all helped by so many local, national, and even global crises. The collapsed Maimi condo, race and gender issues, folks refusing to get vaccinated thereby prolonging the whole Covid thing, some family health difficulties, climate change which really hits home here in the desert Southwest… I seem to be catching my kid’s anxieties. That we spent over a week with temps in the 100s certainly didn’t enhance my mood. But you – I – can’t live like that, in dread all the time.

Last week after deciding on a couple of new projects – not hooking!!! – I grabbed my coupons and started out for Jo-Ann Fabrics to get supplies. It occurred again to me that it’s summer. A time for lighter things, as I also said last week. But this time I really heard myself. Remember how we used to feel in summer? Even when bad things were happening around the world? (The reality is that good and bad things are always happening.) I put some Jimmy Buffett on the Fit’s stereo and off we went.

Hooked rug — ABUNDANCE (15″ x 48″) is finished! As part of my retreat efforts to shake things up, I sewed yesterday morning rather than during the evening, my usual MO. She’s the newest in 2021’s #happyrugseries and was hooked with all kinds of fibers. And, yes, those are holes in her. Life takes from us, but we still have so much to share.

Friday evening Tom and I had a lovely time sipping wine at a local winery, Casa Rodeña here in Albuquerque. They have a pond. It was cool and calming. I realized that I could take the next week to change up my routine, get some things done that I’ve been planning but been too paralyzed to do. In short, get myself out of this funk.

I started yesterday by learning a new “trick.” Okay, a new fiber art medium. I’m very excited and will share down the road. I even used YouTube to learn how to do it. Generally, I prefer to learn in person, not via a video. Again, it’s about getting out of the comfort zone, something I used to do without thinking too much about it.

An article about the Ribbon Rug Journal is on the retreat’s to-do list. Planning my next rug for when I’ll be on the road in a couple of weeks. More sketching and journaling. Reading for pleasure and “work.” Getting back to morning yoga for my arthritis. Not on the list: vacuuming, cleaning the kitchen, meetings, a lot of social media, worrying…

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But life does still go on. To that effect – note that In the Studio’s Workshop Week 3 classes are filling. Sure, it’s not till October, and we have more events and teachers than ever, but folks want in. Also, my own workshop, Hooking with T-Shirts, on October 30, had enough interest that I opened a second session for Saturday, October 23, also at 1:00 PM Eastern. Email me if you’re interested.

Dogs, hooked rug — Both boys bring you WHAT’S ON THE FRAME today. No title for it yet, but it’s the #ecohooking rug in recycled plastic bags. I should’ve added Static Guard to my list of retreat supplies!

Is it just me or do I sense many stepping back a bit to reevaluate as we move back into a post-pandemic world?

May 11, 2021

On to Ghost Ranch!

Meet up at Ghost Ranch in June!

You know that old saying “The Lord giveth, the Lord taketh away”? Well, indeed He does. Just ten or so days ago, I wrote about how excited I was to be finally attending an in-person fiber festival up at El Rancho de las Golondrinas near Santa Fe. Then, last week, Cathy and I got word that, due to state or county Covid guidelines, they had to cancel it. Not sure why, as that county is opened as much as anything can be here in NM. And I’d gone to a couple of farmers’ markets that were pretty crowded down here in Albuquerque where we aren’t quite as open. I was so anticipating the festival and chatting folks up about hooking and all things fiber…

But there is some good news. Because, I’m fully vaccinated, I taught a lovely 80-year old to punch last Friday. In person! She’s quite the pistol too. I hope to have pics when the yarn I ordered for her comes in, and I can get over to her house again. And I have a student coming this Friday as well! I’m looking forward to spreading the fiber gospel some more. In person! Thank goodness for the vaccines!

Then there’s even better news. I’d alluded earlier to the fact that I was planning to teach at a “special” venue. It’s finally up online so I can spill it. June 27 – July 2, I’ll be teaching at Ghost Ranch in Abiquiú north of here in New Mexico. Having only driven by and never stopped, I can’t wait to spend the better part of a week there. We’ll be working on both hooking and punching, stressing all the while the use of recycled and reclaimed materials in our work. Think old t-shirts, bed sheets, plastic bags, and so on. The workshop is titled HOOK A RUG SAVE THE PLANET! (Click on the link for more info.) There will be plenty of downtime to hike and explore the Ranch and surrounding area.

For those not familiar with Ghost Ranch,

The landscape of Ghost Ranch—made famous by painter Georgia O’Keeffe and the incomparable hospitality of first director, Jim Hall—encompasses 21,000 acres of towering rock walls, vivid colors and vast skies. People from all over the world come to work together in creation care, to paint, write poetry, to hike, ride horseback, to research globally renowned archaeological and fossil quarries or simply to rest and renew their spirits.
-Ghost Ranch website

Photograph by ghostranch.org.

Georgia O’Keeffe is indelibly and colorfully linked to the Ranch though she only owned seven acres of it. More info on that HERE. The actual owners gifted it to the Presbyterian Church who created the Ghost Ranch Education & Retreat Center. The Center “fosters well-being and spiritual health through this historic, inspiring southwest landscape.” They do that by offering various activities on the land like hiking, camping, and horseback riding as well retreats and workshops. And that, my friends, is where my class comes in. The Ranch values good stewardship of the earth. An art workshop stressing re-use of materials to make something beautiful and maybe even useful falls right in their wheelhouse. And I couldn’t be any happier. I’m thinking of what it can mean for my own art and then just to have that time away from “home” stuff. Time to talk fiber, time to hike and sketch.

Chile pepper hooked rug — “The Ripening” is all New Mexico. (Old t-shirts; 9.5″x9.5″)

If you’re thinking about traveling this summer, maybe a peaceful, fiber retreat in northern New Mexico, a place filled with our special light and color, is the place for you. Chile peppers always available!

April 30, 2021

We’re going to shows – in-person!

In-person events. Can you imagine it after over a year of hiding out from each other? But it’s starting to happen!

High on Hooking and friend Catherine Kelly will be vending our first in-person show since November of 2019! We’ll be at the SPRING & FIBER FESTIVAL at EL RANCHO DE LAS GOLONDRINAS June 5/6. It’s an outdoor venue, so if you’re vaccinated, you probably won’t even need a mask! If you’re in the area then, please stop by to chat and fondle the rugs. Mention this blog post and get a 5% discount on anything you purchase from High on Hooking. (See our other events in the Calendar.)

Spring’s just busting out all over! It’s been a big week here in the HoH house. We entered the modern age when we traded our 2003 Honda Accord in for a much newer “old” car, a 2019 CR-V. All those freaking electronics! Fortunately, I still have my little Fit to tool about town in and keep my gas usage and emissions to a minimum.

Wednesday, Cathy (above) and I took the new vehicle for a spin up to Santa Fe’s Museum of International Folk Art. Other than the need for a mask, it was like pre-Covid times! An in-person museum visit! I was so excited early last year when the museum announced that they’d be having an exhibit of the Afghan War Rugs from summer through the fall. And then the Coronacootie struck! No fears – they were able to extend the exhibit through September of this year. Since I had my second Moderna vaccine last week, it was finally time. And the carpets did not disappoint. Unfortunately, I couldn’t take any pics, so I stole the one below from the museum’s website.

Photograph of Afghan War Rug; we were able to go to the museum in person. — Photograph from Museum of International Folk Art

For those who aren’t familiar with the Afghan War Rugs, at first glance some of them look like typical, traditional rugs woven in Afghan and other areas of the Middle East, but when you take a second look, you realize that the Cypress tree motif is a…missile. A “boteh” (paisley) is really a helicopter. Look a little harder and you’ll find pistols, machine guns and grenades. In some of the rugs, though, the artisans went full on war-rug. You can’t miss the tanks.

Afghanistan is known for its rugs, though many of these rugs were created by Afghan refugees in Pakistan and Iran after Russia and then the US waged war in the country. They offer, certainly, an artistic commentary on what’s happened in (primarily) the last 40 or so years. (Russia invaded in 1979.) But they also demonstrate a commercial response to war in Afghanistan and the effect on its people. The carpets have proven popular with journalists, military personnel, foreign aid workers, and such.

The emergence of war-related imagery in Afghan rug design has clearly aided the economic survival of area weavers and displaced craftspeople through years of armed conflict and cultural disruption. What war rugs mean to individual weavers is less understood. Are war rugs a celebration of modernity or a rejection of war? Are they a witness to shared trauma or a commercialization of violence? Are they testaments to ingenuity and a spirit of survival? Perhaps they are all of these things at once.
(Museum of International Folk Art)

Over 40 rugs hang in the exhibit. Some look brand new; others have clearly been used as…rugs. All are fascinating to view. And, of course, being textiles, we desperately wanted to touch them. To turn them over and examine them. Yeah, that would’ve gotten us booted out. Unfortunately, too, there’s no real info about individual rugs or artists. Though this isn’t surprising.

If you ever get a chance to see this exhibit, make sure that you do. If you’d like to read more about the War Rugs, there’s a great article here. The Museum of International Folk Art has a virtual exhibit available here.

Dogs on hooked rug — This is what happens when you try to take the WHAT’S ON THE FRAME pic too close to the boys’ dinner hour. Just getting them both in the frame was tough enough, then they kept looking over their shoulders as if Daddy was about to make and eat their meals. Still working on the newest in the happy rug series. Her name will be “Abundance.”

What events are you excited to get back to in-person this year?

April 19, 2021

“Automatic” hooking

Example of automatic drawing. — Example of automatic drawing done by moi during Sketchbook Revival.

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking — Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking — Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

March 23, 2021

IN THE STUDIO – April 14 with Sayward Johnson

Join Sayward Johnson on In the Studio as she talks about her work and her artistic process!

Poster of Sayward Johnson

Sayward Johnson is a copper and textile artist whose work explores her fascination with fabrics and sculptures that adhere to the laws of metal-smithing as well as those of textiles and, furthermore, present traditional textile patterns in unexpected contexts. She finds beauty and meaning in natural processes that cannot be controlled, such as decay and the transformation of surfaces through erosion and new growth. In her studio practice, she focuses on weaving, knitting and embroidery.

Originally from Danvers, Massachusetts, Sayward is a graduate of the Nova Scotia College of Art and Design. She currently lives in Chelsea, Quebec, with her husband and young daughter. She is an active member of the Enriched Bread Artists and 44.4 Mothers/Artists collectives in Ottawa. Sayward has exhibited across Canada and sold her work to private collectors in the US, Canada, and Europe. She has received grants from the Ontario Arts Council, the City of Ottawa, Craft Ontario, Arts Ottawa East, and the Canada Council for the Arts.

You can learn more about Sayward and see her work at www.saywardjohnson.com and on Instagram @saywardjohnson.

IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event. After that time you will no longer be able to purchase tickets.

Please note that, unlike other In the Studio presentations, the time of the talk is 7:00 pm EASTERN.

Find tickets for this event at Ticketscene.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.